Asher Brown Durand
1796-1886
Asher Brown Durand Galleries
His interest shifted from engraving to oil painting around 1830 with the encouragement of his patron, Luman Reed. In 1837, he accompanied his friend Thomas Cole on a sketching expedition to Schroon Lake in the Adirondacks and soon after he began to concentrate on landscape painting. He spent summers sketching in the Catskills, Adirondacks, and the White Mountains of New Hampshire, making hundreds of drawings and oil sketches that were later incorporated into finished academy pieces which helped to define the Hudson River School.
Durand is particularly remembered for his detailed portrayals of trees, rocks, and foliage. He was an advocate for drawing directly from nature with as much realism as possible. Durand wrote, "Let [the artist] scrupulously accept whatever [nature] presents him until he shall, in a degree, have become intimate with her infinity...never let him profane her sacredness by a willful departure from truth."
Like other Hudson River School artists, Durand also believed that nature was an ineffable manifestation of God. He expressed this sentiment and his general views on art in his "Letters on Landscape Painting" in The Crayon, a mid-19th century New York art periodical. Wrote Durand, "[T]he true province of Landscape Art is the representation of the work of God in the visible creation..."
Durand is noted for his 1849 painting Kindred Spirits which shows fellow Hudson River School artist Thomas Cole and poet William Cullen Bryant in a Catskills landscape. This was painted as a tribute to Cole upon his death in 1848. The painting, donated by Bryant's daughter Julia to the New York Public Library in 1904, was sold by the library through Sotheby's at an auction in May 2005 to Alice Walton for a purported $35 million. The sale was conducted as a sealed, first bid auction, so the actual sales price is not known. At $35 million, however, it would be a record price paid for an American painting at the time. Related Paintings of Asher Brown Durand :. | Kindred Spirits | Landscape with Beech Tree | Delaration of Independence | Landscape | Verwandte Seele | Related Artists: Simon Kick 1603-1652 Dutch Gerbrand van den Eeckhout1621-1674
Dutch
Gerbrand van den Eeckhout Location
Dutch painter, draughtsman and etcher. He was the son of the goldsmith Jan Pietersz. van den Eeckhout and a great friend as well as a pupil of Rembrandt, according to Houbraken, who commented that van den Eeckhout painted in the style of his master throughout his career. This is certainly true of van den Eeckhout (biblical) history paintings, but less so of either his portraits, which gradually displayed more Flemish elegance, or his genre pieces (from 1650), in which he followed various trends; he adapted his style to suit his subject with sensitive versatility. He was also a gifted colourist and an artist of great imagination, superior in both these respects to such better-known Rembrandt pupils as Ferdinand Bol and Nicolaes Maes. Moreover, he was extremely productive, and there is at least one dated painting for virtually every year between 1641 and 1674. In addition, he created a large body of drawings comprising histories, figures, landscapes and genre scenes executed in various media, including watercolour. He also made several etchings, mostly studies of heads, such as the Self-portrait (1646; B. 66). He died a bachelor, aged 53. Cazin Jean-CharlesFrench landscapes painter and ceramist , 1841-Le Lavandou 1901
Painter and ceramicist. His earliest paintings reveal close affinities with the realist tradition, while his later compositions (mostly landscapes of northern France) demonstrate an awareness of Impressionism and a commitment to recording the changing effects of light and atmosphere. He was sent to England for health reasons but by 1862 or 1863 was living in Paris and active in avant-garde artistic circles.
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